This week, I'm hugely excited. At last, I can finally reveal "Young Badger in the Bluebells," and his very special destiny, in full.
This little badger, getting up to all sorts of mischief amongst the spring bluebells, is going to be a lot in the Badger Trust's online Brocktober auction, beginning on October2nd 2026.
Let me tell you why this is so exciting and unusual...
More about the painting
As well as being cute as a button, this is an original watercolour and mixed media painting (approximately 6x8 inches, originally, now also mounted).
The item itself has a Clare L Walker signature in the bottom left-hand corner. Obviously, it doesn't have a BoundingSquirrel watermark on it-that's just to keep the image safe online.
Speaking of online, I freely admit that this picture does *not* do the badger justice. He's much cuter in real life. That might come across a bit better in the video I took when he was being parcelled up...
If you're interested in bidding, I should also mention that this is unusual simply because its an original.
If you're here often you'll know that you'll more usually, my illustrations and paintings become print-on-demand prints and surface designs, rather than ever being sold as originals, let alone auctioned.
(All the parcelling up and ensuring safe transit etc usually puts me off sending or selling originals anywhere).
But nature is the source of my inspiration, and badgers need help. So I decided to make this exception.
More about badgers
If you're reading this from outside the UK (as I know many people do) I should probably also give you a little intro to badgers themselves. They are ancient animals, who have been part of the British landscape for thousands of years. They live in inherited family tunnel-systems called setts, are so fastidious that they even change their own bedding, and generally do good in the landscape as they root around for worms and beetles.
In other words, they're much gentler than some types of animal with a similar name (eg honey badgers) found elsewhere in the world.
However...
For reasons I can't really fathom, and despite apparently in-depth studies saying otherwise, they are also blamed for problems in cattle and subjected to persecution. Rather than mix up all that with an art blog, you can read all about it (and watch some hugely cute badger videos) straight from a better info source: Badger Trust itself.
What I love most though, is that by donating this painting to the auction, I'm actually able to do something to help them.
And by bidding on this badger painting when the auction goes live, you'll be able to as well.
The auction itself
I'm going to update this post with a live link as soon as the auction itself goes live on October 2nd, 2026-October 14th 2026
In the meantime, thanks sooo much for reading down this far. And please do bid on this badger painting (and anything else that catches your eye in the auction), when it goes live.
Hope all's well with you. Apologies for this being a little late (especially if you wanted to use this month's free illustration-above-early in the month).
However, it's been such an exciting few weeks, I can't wait to tell you all the news.
And, unusually, I can even make a shrewd guess as to why everything has suddenly decided to become so exciting. Strap in and come along for the ride...
How it all began...
It all began with one brave thing. An illustration opportunity that I didn't even get, but nerved myself to go for anyway. Nonetheless, the encouragement of the enthusiastic response I received during that process made me a bit bolder.
Which led me to thinking that maybe it was time to paint outside. That bit, you do know about, (and if you're new here, it's all in my previous post).
The success of that got me thinking, "What if I intentionally do one brave thing every week?".
(And yes, I know. There are plenty of self-help gurus out there with shiny white teeth, and a conviction that one should do such a brave thing daily. But I'm a highly sensitive person who'd rather not fry their nervous system completely. So one brave action a week it was to be).
By Week Three...
The thing is, it turns out that if you do one brave action, the adrenaline of it all can get a bit...addictive...
So suddenly I ended up watercolouring a card for a neighbour, (yes, I'd hitherto been veeery bashful about telling any neighbours about well...pretty much any of my art, actually. Previously, I just put it noiselessly on print-on-demand sites. And yet there I was, sending this (sans water mark, obviously):
"Pelargonium 'Islington Peppermint'" in line and wash watercolour.
This was on top of: a really exciting project I can't tell you about yet, but am longing to, then deciding to sign up as super-early-bird (not an affiliate link!) for a year-long one-session-a-week course in 2027 (eek) *and* then signing up for a more immediate post-on-Instagram-each-day-for-a-week challenge.
Yes, I got (temporarily) addicted to this "one brave step" thing and did too many all at once...until they all collided. Yes, my nervous system *is* now officially fried like an egg.
But yes, also, "one brave thing a week," is going to continue to be phrase for me. Life is more fun with it than without it.
Finally
Finally, as always thanks ever so much for being here. If you truly want to witness my (howlingly bad) first-ever attempts at reels, selfie reels, etc, on Instagram then there is a sample here.
But if you do, I should at least give you a peek at how that sketch of purple scabious flowers is supposed to look, first...
Purple Scabious Flowers & A Butterfly Sketch
More soon-though please forgive me if the soon stretches just a little bit at the moment.
As promised, today's topic is compleeeeeetely different. It's everything I learnt from my first-ever attempt at sketching outdoors (at the beautiful Delapré Abbey, in Northamptonshire).
Rough Pen and Watercolour sketch of part of Delapré Abbey
Warning: There will be bloopers, rookie mistakes, comedy, and lots of rapid-rather-than-lovely sketches.
That said, I also learned more in one day outside than maybe three months of learning indoors. So here are my key takeaways from the day.
1. People didn't appear to notice that I was sketching, at all.
Yes, that's right. It took a full five years from my first thinking about nerving myself to do some drawing in a public outdoor space, to actually doing it. Five years of being convinced that everyone would notice what was going on (and *not* in a good way...Fevered imaginings of people telling me their five-year-old could do better, abounded, during those years...).
And then when I did finally pluck up the courage...I chose shady spots (because it was a hot, sunny day)...And it was as if no-one could even see me. At all.
Rough pen and watercolour sketch of a whimsical pink love seat outside the *gorgeous* Eden Wild Floral Shop.
Maybe if I'd had an easel, instead of a pen, tiny paintbox and small homemade sketchbook...people might have noticed more. But everyone I met when just moving around there was lovely anyway, so I doubt anyone would have been anything other than supportive, even if they had noticed.
Lesson learnt.
2.It was huuuge *fun*...
This was another big surprise. Being forced to work quickly (see below) and see things as they really are, gives you quite an adrenaline rush. Which I, at least, really enjoyed.
Rough sketch of a bell tower- or was it a dove-cote?
3.The light moves all.the.time...
Which means you just have to do your best in the moment, work quickly and ...seize the day, before everything changes colour again. There isn't time for overthinking. (Another huge plus point if you're such an overthinker you've spent five years mulling this idea over... :-).
Rough Pen and Watercolour Sketch of the belltower/dovecote including the sun on the gorgeous yellow stone...
4. In fact, everything moves, all the time...
From people...
Watercolour and Pen sketch of two passers-by
to bunches of flowers in an honesty bucket...
Sketch of the Eden Wild honesty bucket. The flowers were lovely (and therefore kept disappearing...)
Everything moves, all the time....And sometimes disappears altogether, if you dawdle.
Which means that the increased sketching speed, though exhilarating, also exposes any weaknesses that need improvement.
For example, it turns out that a weeping willow tree only looks like a weeping willow if its fronds are in motion, which am not at all sure I can capture...yet.
Really rough pen and watercolour weeping willow sketch...
5. Don't sketch in midday summer sun...
Unless you actually want everything to look parched and bleached out, like my attempt at sketching the deer-park...
Rough sketch of the bleached out deer park at midday..
and
6. You don't need a big art kit.
I had been worried that my art kit was too small, as I took only a home-made sketchbook (see video below) a waterproof black pen, a sheet of kitchen towel, a small box of Inktense paints (yup, that's an affiliate link, because as you'll know if you've been here before, I love Derwent Inktense paints) and a medium sized Pentel waterbrush (also an affiliate link...also a trusted favourite).
In fact, I was really grateful not to have to lug anything more around. So in the end, art kit size was about the only thing about the day that I'd got right in advance.😂😂😂😂😂
A double sycamore seed just landed in front of me (so obviously had to be sketched!).
And the extra "bit" from the title is...
That it's a *lot* harder to make those "sketchbook flip-through" videos that you see online than you might think.
Or at least, I found it so, on this first attempt. But if you want to see the actual sketchbook, (complete with jerky footage, plenty of fingers over the lens, and yes, even many accidentally-upside-down shots)... I've included it here.
NB. If you watch this, it might be easiest on a phone as then at least you can turn things right-way up. Motion-sickness pills are also advised ;-).
But for comedy-value if you've had a bad day...Here is my first ever (unedited) flip-through video attempt...
First-ever Sketchbook Flip-through Watch for Comedic Value Only...
Finally...
Above all though, I'd say...If you're even curious about sketching outside...Please don't wait five years like I did. Please just...Take the plunge and do it.
That's all for now. Thanks so much for being here, and for reading down this far.
Hope all's well with you (and that you're surviving the heat, if you have it in your part of the world too).
Here, the woozy heat has had me physically art journaling instead of tied to tech.
Believe it or not, this piece began its life as a serious of black, dark grey and indigo blobs. (They were result of an online workshop with the warm and wonderful artist and facilitator Elizabeth Foley. Huge thanks, Elizabeth).
I guess, after the workshop, some would have left the blobs as a memorial to the friend they were grieving.
But, I just...couldn't. It seems it simply isn't in me to leave things looking dark or broken, when there's even a possibility that they might, somehow, be transformed.
Somewhere in the blobs, I thought I could see a peacock. Bearing in mind that I never usually work this way at all, turning those blobs in a peacock felt ultra-transformative...Liberating and lightening, all in one go. And I love the resulting peacock with all my heart.
Given that the friend whose grief precipitated this was himself a force for transformation, joy, and the uplifting of others, I hope that he'd approve too. (And yes, I sent the peacock to his equally wonderful and amazing wife first, before even posting here).
Here's to healing and transformation for everyone, and everything feeling in need of it.
